Warning! Tiny spoiler in the Wildcard section.
BASIC REPRESENTATION SCORE: +5
FEMALE AGENCY/POWER/AUTHORITY SCORE: -3
THE MALE GAZE SCORE: -15
GENDER/SEXUALITY SCORE: 0
WILDCARD SCORE: -2
Is there anything either positive or negative in the film’s representation of women not already accounted for here? (points will vary)
Normally I deduct 5 points for a movie that romantically pairs a woman with a man old enough to be her father [why this matters]. Here, while Tom Cruise (born 1962) and Rebecca Ferguson (born 1983) do not quite end up as a romantic couple, the idea that it could happen at any moment hangs in the air throughout the film, and the implication that it may happen in the future remains hanging there at the end.
TOTAL SCORE: -15
IS THE FILM’S DIRECTOR FEMALE? No (does not impact scoring)
IS THE FILM’S SCREENWRITER FEMALE? No (does not impact scoring)
BOTTOM LINE: The only female character here may be physically strong, highly intelligent, and very capable… but she is the only female character with any real presence in the film — and there are several other roles that could have been cast with female actors without changing a single word of the script or altering in any way the story’s themes — and she is often treated as a decorative object in a way that her male colleagues never are.
NOTE: This is not a “review” of Mission: Impossible – Rogue Nation! It is simply an examination of how well or how poorly it represents women. (A movie that represents women well can still be a terrible film; a movie that represents women poorly can still be a great film.) Read my review of Mission: Impossible – Rogue Nation.
See the full rating criteria. (Criteria that do not apply to this film have been deleted in this rating for maximum readability.)
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