
The Water Diviner movie review: magic unrealism
When director Crowe sticks to historical adventure, his film is tense and exciting. But it lacks a sense of magic that it needs to make it fully engaging.
When director Crowe sticks to historical adventure, his film is tense and exciting. But it lacks a sense of magic that it needs to make it fully engaging.
The only woman with any significant presence in this story is here solely to give the wounded male protagonist someone to aspire to. [This post is not behind the paywall.]
Wannabe Christian swashbuckler throws a lot of stuff up on the screen in the hopes that something will stick as exciting and romantic. None of it does.
I actually have no idea what that means.
I had wondered why no one seemed to appreciate the drama and passion of the American Revolution and set a film or TV series there. But now it’s a thing.
The power of a female protagonist is almost overwhelmed by clichés that reduce girls to not much beyond how they look and what they wear. [This post is not behind the paywall.]
This high-school comedy avoids the worst clichés of the genre and resists rather than indulges the worst tendencies of adolescence. Which is a rare thing.
I have no idea what this guy is upset about, but I presume he disagrees with me about a movie.
Yet another humorously altered No Entry road sign.
This film is an especially egregious example of a woman’s personal awesomeness being good for nothing onscreen but making a man feel better about himself. [This post is not behind the paywall.]