Where Are the Women? Son of Saul

Where Are the Women? Son of Saul

Women are almost entirely absent from this film. But that’s okay, since it is mostly set within a plausible all-male environment.

BASIC REPRESENTATION SCORE: 0

0
Does the film take place in a primarily all-male environment (ie, prison, historical military)? [why this matters]

FEMALE AGENCY/POWER/AUTHORITY SCORE: 0

[no significant representation of women in authority]

THE MALE GAZE SCORE: 0

[no issues]

GENDER/SEXUALITY SCORE: 0

[no issues]

WILDCARD SCORE: 0

Is there anything either positive or negative in the film’s representation of women not already accounted for here? (points will vary)

No.

TOTAL SCORE: 0

IS THE FILM’S DIRECTOR FEMALE? No (does not impact scoring)

IS THE FILM’S SCREENWRITER FEMALE? Yes, one of two credited (Clara Royer) (does not impact scoring)

BOTTOM LINE: Women are almost entirely absent from this film. We glimpse anonymous, terrified women in the concentration camp “showers,” and we glimpse female prisoners during a brief foray to the women’s side of the camp where this story is set, but not even a single female character figures into the story in any way at all. But this is okay, since the story is mostly set within a plausible all-male environment.

Click here for the ongoing ranking of 2015’s films for female representation.

Click here for the ranking of 2015’s Oscar-nominated films for female representation.

NOTE: This is not a “review” of Son of Saul! It is simply an examination of how well or how poorly it represents women. (A movie that represents women well can still be a terrible film; a movie that represents women poorly can still be a great film.) Read my review of Son of Saul.

See the full rating criteria. (Criteria that do not apply to this film have been deleted in this rating for maximum readability.)


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Viktoria Kaposi
Wed, Mar 02, 2016 12:03pm

Yes, they are absent. Just like children. Not only from the film but also from Jewish families… Just think about it…

MaryAnn Johanson
reply to  Viktoria Kaposi
Wed, Mar 02, 2016 8:07pm

Please make your point.

Viktoria van der Meulen
Thu, Mar 03, 2016 9:34am

I mean it is not by accident, it is by purpose, that Nemes does not show women and children in his film. But we can hear them crying and we can see a breast of a dead mother. It is so strong – stronger then show alive women and children. We come out of the movie and feel sick. We do miss them. It is an artistic language of Nemes – I think he really wants to make us feel this enormous absence and this uncertainty – what could happen to them? Where are they?! It does hurt, i went totally crazy. This is how it can be in real jewish families. Missing loved family members. Does it have a meaning for you?

MaryAnn Johanson
reply to  Viktoria van der Meulen
Thu, Mar 03, 2016 9:39pm

WATW is not about whatever meaning a film has for me. It’s about whether and how women are represented onscreen. That’s it. Of course it’s on purpose that there are no women onscreen. This is often the case.

stronger then show alive women and children

And this is a frequent problem when it comes to male-dominated filmmaking: women are more useful to the stories they want to tell when women are absent or dead. And as I’ve said in reference to WATW many times before, it’s not a particular problem that any single given film omits women or sees them as more thematically useful if they are dead or absent: it’s a problem that *so damn many* movies do.

So I’m not picking on this movie in particular — indeed, it gets a neutral zero score. Still:

This is how it can be in real jewish families. Missing loved family members.

As I’m sure you know, there are stories to be told about women who lost husbands and brothers and lovers in the Holocaust. Where are their stories onscreen?

Viktoria van der Meulen
reply to  MaryAnn Johanson
Fri, Mar 04, 2016 9:39am

Thanks for sharing your thoughts. Yes, I know those stories, too. I hope one day someone will make a movie about those lost ones, too. But this film is actually puts in the center this dead boy, too. He is a lost boy of a mother – and I think it is extremely strong to miss that family and that mother and that personal history behind this boy…. Who was he? We know nothing about him… We know that someone is crying for him, too. A mother. A father. A brother.

Danielm80
Danielm80
reply to  Viktoria van der Meulen
Fri, Mar 04, 2016 11:21am

As she said near the top of the page:

NOTE: This is not a “review” of Son of Saul! It is simply an examination of how well or how poorly it represents women. (A movie that represents women well can still be a terrible film; a movie that represents women poorly can still be a great film.)

Have you read her review of the film?

Viktoria van der Meulen
reply to  Danielm80
Fri, Mar 04, 2016 5:55pm

No, I would love to read it. Could you pl give me a link? thank you.

Jurgan
Jurgan
reply to  Viktoria van der Meulen
Fri, Mar 04, 2016 5:58pm

It is linked on this page. “Read my review of Son of Saul.”

Danielm80
Danielm80
reply to  Viktoria van der Meulen
Fri, Mar 04, 2016 6:05pm

It’s odd that you’ve spent so much time on this page and read so little of it. MaryAnn responded to most of your objections before you even made them. Here’s a link to the review:

http://www.flickfilosopher.com/2016/02/son-of-saul-movie-review-how-to-remain-human.html

Viktoria Kaposi
reply to  Danielm80
Fri, Mar 04, 2016 6:28pm

No, really, sorry, i have read it of course. I have just read a lot recently about Son of Saul – didn’t remember immediately. Sorry. Thanks anyway.