
BASIC REPRESENTATION SCORE: -10
FEMALE AGENCY/POWER/AUTHORITY SCORE: 0
[no significant representation of women in authority]
THE MALE GAZE SCORE: -15
GENDER/SEXUALITY SCORE: -5
WILDCARD SCORE: 0
Is there anything either positive or negative in the film’s representation of women not already accounted for here? (points will vary)
No.
TOTAL SCORE: -30
IS THE FILM’S DIRECTOR FEMALE? No (does not impact scoring)
IS THE FILM’S SCREENWRITER FEMALE? No (does not impact scoring)
BOTTOM LINE: There are only two women with any presence here: a wife and a girlfriend, and they have almost nothing meaningful to do that isn’t about reassuring men that they are wanted, desired, and looked after, no matter how miserable or lacking in self-esteem they are. What else could women possibly be good for, anyway?
Click here for the ongoing ranking of 2015’s films for female representation.
NOTE: This is not a “review” of The D Train (aka Bad Bromance)! It is simply an examination of how well or how poorly it represents women. (A movie that represents women well can still be a terrible film; a movie that represents women poorly can still be a great film.) Read my review of The D Train (aka Bad Bromance).
See the full rating criteria. (Criteria that do not apply to this film have been deleted in this rating for maximum readability.)
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