Friend Request movie review: Facebook, a horror story (again)
We’ve literally just seen this, in 2015’s Unfriended. Tedious wannabe scarefest misses the true horrors of Facebook and cultivates a personality-free blandness.
Month: September 2017
American Assassin movie review: we’ve CIAn it all before
It’s tormented hotheads all around with a hero and villain who are almost indistinguishable and same-old spy stuff racing to a seen-it, been-there ticking-clock finale.
Victoria & Abdul movie review: one of her best friends was brown
Charming based-on-fact British costume dramedy gently snarks about power and propriety but cuts a lot deeper when it comes to bigotry and bootlicking.
My Pure Land movie review: meet a real-life heroine in a land that really doesn’t want her
Behold a modern-day feminist western set in deeply patriarchal Pakistan. Stark and spare, with a heroine full of mean grace, it’s even a true story.
mother! movie review: from WTF to STFU
Darren Aronofsky’s self-pitying cinematic rending of garments is repulsive, transparent, and pointless. A grotesquely wrapped gift box of utter banality.
It movie review: a series of unfortunate events
The Goonies, Stand by Me, and Poltergeist went into a blender with a pinch of E.T. and John Hughes to smush into a mess of retro 80s mush.
give $1, just once, for Flick Filosopher’s 20th anniversary
As Groucho Marx or Mae West or Mark Twain or someone else once said: “If I’d known I was gonna live this long, I’d have taken better care of myself.”
The Vault movie review: where the money is haunted
Psychologically risible and paranormally inconsistent heist horror gives us not a single character to like or root for, or even to cheer dying.
Ingrid Goes West movie review: an antisocial-media story
Bitter, snide, and ultimately brutal, exactly the movie about social media we deserve; a satire that is barely satirical. Aubrey Plaza is hashtag savage.
The Limehouse Golem movie review: riffing on the Ripper
Lush sensationalism and Dickensian social justice collide in 1880s London, and if there isn’t quite enough of either, it’s still a slice of satisfying gothic horror.
