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Steady your heart palpitations: it’s the same old era for the nicest feudal hangover. The delusional reactionary fantasy of wealth and privilege for some, cheerful servitude for others remains intact.
Stiflingly literal mounting of the classic feminist tale. Flat and stilted, with no cultural context and no visceral insight into its protagonist’s plight, and emptiness where there should be empathy.
What is your ideal film that doesn’t already exist, however you define that?
Amusing but instantly forgettable, fueled by a self-congratulatory smugness and self-reference. The best bits are the sincere stuff: a scene-stealing Pedro Pascal and a sweetly vulnerable Nic(k) Cage.
The teaser trailer for Thor: Love and Thunder landed today… and my response was, well, somewhat mixed. Where, when, and how does the current superhero cycle of cinema end?
Lovely, gentle look at an artwork honoring the marginalized. A compassionate challenge to cultural assumptions, including those that decenter the poor and insist that art is a luxury, not a necessity.
Spectacularly entertaining. As gripping, as suspenseful as a finely wrought fictional thriller; a sheer delight as a portrait of the man himself. Films don’t get much more daring or crucial than this.
Define magic however you like: could be supernatural magic, stage magic, or any other definition of the word you can defend.
A snappy, snarky, never-ever sentimental concoction of cartoon chaos meets hip heist flick. Its breezy swagger extends to the delightful animation, organic and mellow, hot and cool at the same time.
What are you looking for in film criticism now… and are you finding it? Do critics still matter, and if so, in what ways?
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