Mercury 13 documentary review: the even righter stuff
An essential documentary look at yet another example of historical feminism that should never have been forgotten: the first American in space might have and probably should have been a woman.
Sweet Country movie review: an essential confrontation with the ugly not-so-past past
As harshly beautiful as its landscape, this is a stark corrective to the American western it echoes, and a pragmatic confrontation with the deep, tenacious roots of modern racism.
movies by or about women opening US/Can from Fri Apr 20
Amy Schumer takes a knock on the head, Catherine Keener fights to save her home, and not much more…
movies by or about women opening UK/Ire from Fri Apr 20
Helen Mirren, Angourie Rice, Lily James, Juliette Binoche, Shirley Henderson, Maxine Peake, and Bel Powley headline in an unusually rich week for movies about women…
Let the Sunshine In (Un beau soleil intérieur) movie review: her own worst enemy
Juliette Binoche’s search for midlife love is drenched in ennui and punctuated by weary philosophizing. There’s not a lot of satisfaction in it, nor much by way of resolution. Very French.
The Guernsey Literary and Potato Peel Pie Society movie review: the stories too painful to tell
A wonderfully old-fashioned tearjerker, with a thoroughly delightful cast, where cosy quaint Englishness is leavened by a harsh reality of World War II that pop culture has ignored.
Every Day movie review: a slightly more challenging teen romance
It’s not as daring as its endearing protagonist, and its fantastical scenario plays out rather lifelessly. But its gentle exploration of the fluidity of human physical and emotional expression is very welcome.
Funny Cow movie review: standing up for herself
This is scorched-earth cinema that challenges us to find moments of grace and triumph among misery, cruelty, and emotional frugality. Maxine Peake is absolutely incendiary.
Beirut (aka The Negotiator) movie review: an American man finds absolution in the messy Middle East
A same-old story of a white man’s angst, set against the “exotic” backdrop of 1980s war-torn Beirut. This brand of Hollywood myopia is tired, uninteresting, and no longer acceptable.
The Titan movie review: bad science, worse science fiction
The science is ludicrous, the story is almost entirely free of drama, and the finale descends into the hoariest, most ridiculous clichés of the genre. But the future smart-house porn is lovely.
