
Pacific Rim: Uprising movie review: robot smash
Enormously likable characters make this feel like a big friendly rambunctious dog that you can’t help but get a kick out of, but it fundamentally misunderstands the appeal of its predecessor movie.

Enormously likable characters make this feel like a big friendly rambunctious dog that you can’t help but get a kick out of, but it fundamentally misunderstands the appeal of its predecessor movie.

Teenaged girls dying, teenaged girls fighting monsters…

Girls travel in space and fight monsters; women fight their own demons.

A little bit psychedelic, a little bit queasy, a little bit experimental, a lot existential, this is a jarring, visceral portrait of the around-the-world sailor in over his head.

Ah, it’s another “teen falling in love while dying beautifully” romance. When it isn’t sappy and predictable, it doesn’t make a whole lot of sense. Its young couple is perfectly charming, though.

This low-budget science-fiction film has an ambition that exceeds its reach, and has nothing to surprise the self-respecting geek a movie like this one is aimed at.

As a piece of craft, this is a smack in the face to Hollywood’s bloated blockbusters. As a piece of pulp, it brings a sharp, smart feminist twist to familiar tropes of cinematic paranoia.
I finished up my reread of Ready Player One, by Ernest Cline — soon to be released as a major motion picture by Steven Spielberg — today on Twitter. Here’s my commentary.
My reread of Ready Player One, by Ernest Cline — soon to be released as a major motion picture by Steven Spielberg — commenced today on Twitter. (I’ll finish tomorrow.) Here’s how it’s gone down so far.

Rosamund Pike hijacks a plane, Melissa Leo gets a break from prison, Odeya Rush befriends a dictator, and more…