
Renfield movie review: it mostly sucks
Nicholas Hoult is lovely. Hammy Nicolas Cage is amusing. But everyone in this movie is in a different movie; the tonal mismatches are baffling. Was it the first draft of this script that was greenlit?

Nicholas Hoult is lovely. Hammy Nicolas Cage is amusing. But everyone in this movie is in a different movie; the tonal mismatches are baffling. Was it the first draft of this script that was greenlit?

It’s overstuffed and often jarring. But it’s also honest and unassuming, never insipid or sentimental, with a rough power, a generous spirit, and performances that are warm, wise, and perceptive.

2012’s Mea Maxima Culpa: Silence in the House of God is on HBO Max in the US, on Apple TV in the UK.

More of the same old religious-horror hoohah, plus Russell Crowe hamming it up, complete with terrible Italian accent. Its only twist on the usual exorcist-movie nonsense is genuinely pretty appalling.

2022’s The Quiet Girl is on Prime and Apple TV on both sides of the Atlantic.

I have so many examples, but I’ll just mention the X-Files episode “Humbug”…

The brand-new documentary Turn Every Page is on Prime and Apple TV on both sides of the Atlantic.

2014’s Night Moves is on Fandor in the US, Mubi in the UK, and lots of other services on both sides of the Atlantic.

A heist drama, incendiary and intense, with planetary stakes. These young people are desperate, with nothing to lose, and everyone older than them made them this way. Nihilism is their only optimism.

2018’s The Mercy is new on Kanopy in the US, on StudioCanal Presents in the UK (and on many other services on both sides of the Atlantic, too).