“wait, aren’t you poor?”
I got an email yesterday from a reader, in response to my #LockdownDailyWalk posts, who was all, “Hey, I thought you couldn’t afford to live in the cool parts of London, what’s up?”
Small Axe: Mangrove movie review: parties and protests (LFF 2020)
A triumph. McQueen brings history to life and makes it sing with zest and passion, with a spirit that endures beyond the strife. A celebration of Black joy alongside a raging against Black oppression.
Proxima movie review: the work of the world
Brings a fundamental new humanity to the story of those who court great danger in order to advance human knowledge. Eva Green is immense. Writer-director Alice Winocour’s compassion is achingly acute.
Mogul Mowgli movie review: Riz Ahmed goes home and goes big (LFF 2020)
An uneasy jolt of (pop) culture clash and assimilation angst. Unsettling and electrifying; near-nightmarish and absolutely mesmerizing. Riz Ahmed oozes sweat and rage, pride and power.
The Binge: The Mandalorian S1
Here is the future of Star Wars, one not mired in the narrow threads of the movies’ mythology, but a story that acknowledges that there is a whole big complicated wonderful galaxy to explore.
African Apocalypse documentary review: Black perspectives matter (LFF 2020)
In an intimate yet shattering documentary, Black British activist Femi Nylander searches for “the imperial history they didn’t teach at school,” and finds it. Heartbreaking, provocative, illuminating.
The Binge: Mrs America
Apart from the value of its explicatory gloss on anti-feminist Phyllis Schlafly, there is entertaining, gratifying drama in the clash of so many complex feminist women working against her.
Borat Subsequent Moviefilm movie review: punching way the hell up
A work of breathtaking audacity. This is as perilous as comedy gets, and it’s very, very funny, often shockingly so. Sacha Baron Cohen’s scathing cultural strikes land like extinction-level asteroids.
Love and Monsters movie review: building a future at the end of the world
This pleasantly silly-sad apocalypse, melancholy with a dash of optimism, smashes clichés and finds fresh angles on the familiar. Dylan O’Brien has a self-deprecating charm; there’s a great dog, too.
Totally Under Control documentary review: detailing Trump’s coronavirus catastrophe
If you’ve been paying attention, not much is surprising in muckraker Alex Gibney’s timeline-driven rundown of Trump’s COVID crimes. But there is immense value in seeing it all laid out so clearly.
