trailer break: ‘Rabbit Hole’

At least the usual pap some people feel the need to spout when we lose loved ones gets a smackdown here. I hope that’s a sign that the rest of the movie is as honest about grief, and not falsely sentimental about loss and recovery.

question of the day: How big a problem is it that Hollywood no longer makes movies about blue-collar, working-class people?

Leah Rozen in The New York Times, writing about the new British film Made in Dagenham, about women in the late 1960s who struck the Ford plant where they worked, makes a cogent point that hadn’t occurred to me until I read her words, though it’s clearly so head-smackingly obvious that it almost doesn’t need to be said: Hollywood doesn’t make movies about working-class Americans anymore.

a few thoughts on ‘The Walking Dead’: “Tell It to the Frogs”

I can’t deny that it’s true that come the apocalypse, whatever form it takes, many of the problems of our society will remain, and some of them will be amplified: Stupid, violent men will still be stupid and violent, and indeed they will have many more opportunties to indulge, unchecked, their idiocy and their anger. But what we’re seeing here isn’t really looking at that from the perspectives of people who are used to things being a little more civilized: the attitude is, instead, as if they barely notice their lives have changed at all, apart from the lack of coffeemakers and washing machines. And no, having the women lament the loss of those things doesn’t cut it…