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Like all Frazetta fantasy posters came to life all at once. A masterpiece of cinema that truly speaks to the interests of white male teenage nerds from 1987.
Two fun characters played by two great actors with fantastic chemistry together go in search of a movie, and — spoiler! — never quite find it.
Leaden and witless, though it obviously believes there is humor in its loud, chaotic juvenility. It would be an insult to cartoons to call this cartoonish.
Hilariously, casting white Westerners as mortals and deities of the ancient Nile is the least offensive thing about this crime against goofball cinema.
The two-hour-plus single-take gimmick disappears into the background as the implausibility and the flatness of the protagonist come to the unfortunate fore.
Believes six impossible things — like implausible character motivations, or big emotions — because they’re in the script, without bothering to earn them.
About precisely nothing other than pure pulp comic-book soap-opera rigmarole, overshadowed by clichés, implausibilities, and missed opportunities.
What the heck is this? Some sort of meninist political statement attempting to vindicate male anger? In a kids’ movie? Maybe men shouldn’t make movies…
Tough, unanswerable human questions frame spectacular, innovative action sequences that are like superhero ballets. This series just keeps getting better.
Could have been assembled entirely from clips from other movies — mostly the Star Wars prequels — and would have been better if it had been.
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