
The Rise (aka Wasteland) review
Smooth, accomplished British crime indie tweaks clichés of the genre in a marvelously satisfying way.

Smooth, accomplished British crime indie tweaks clichés of the genre in a marvelously satisfying way.

Please see this movie. We need to let Hollywood know that there is, in fact, an audience for sophisticated drama for adults.

A thoroughly magnificent film on every level, with astonishing performances by Chris Hemsworth and Daniel Brühl; one of the very best films of 2013.

A little bit like a travelogue, a little bit like people-watching, this is simultaneously a relaxing and invigorating cinematic experience. Simply magnificent.

Way to give overwrought fan fiction a bad name. No amount of fairy dust can make this bewitching.

Trashy remake of the brilliant French black comedy strips out the satire and slathers what’s left in ridiculous lesbian-erotic-thriller sauce.

Apparently it’s hard to be a grownup in today’s crazy world without committing consequence-free statutory rape. Ugh.

A confounding intellectual mystery, an enigmatic philosophical science fantasy that’s like a cinematic Moebius strip.

Sporadically exciting French action drama about a 1988 hostage crisis drags more often than it should.

Harrowing drama of modern-day piracy as a sort of illicit corporate takeover; riveting and exhausting.