your £$ support needed

part of a small rebellion | by maryann johanson

Blancanieves review: silent style

Blancanieves green light Maribel Verdu

Gorgeous: lush with creamy black-and-white photography and bursting with passion…
I’m “biast” (pro): nothing

I’m “biast” (con): nothing

(what is this about? see my critic’s minifesto)

As an exercise in style and as a valentine to early filmmaking, this silent-movie pastiche is unquestionably gorgeous, lush with creamy black-and-white photography and bursting with passion, both from the characters onscreen and from writer-director Pablo Berger, who presents a familiar tale with a wondrous air of freshness and newfound intimacy. A 1920s Spanish twist on Snow White, it posits a rich and famous bullfighter paralyzed in the ring (Daniel Giménez Cacho), the daughter his wife died giving birth to, and the nurse (Maribel Verdú: Pan’s Labyrinth) who wormed her wily way into his griefstricken heart when he was at his most vulnerable emotionally as well as physically. Now, sweet young Carmencita (adorable Sofía Oria) suffers horrible abuse at the hands of her wicked stepmother; later, teen Carmen (Macarena García) will follow in her father’s matador footsteps with the help of a band of intrepid showman dwarfs. The well-beaten path of the tale is beautifully suited to the silent format, which utilizes only a few intercards, and even they are barely needed: the deviations from the traditional fairy tale are laden with potent symbolism of their own, and we are instantly struck with their power and poignancy. The almost overwhelmingly marvelous score, by Alfonso de Vilallonga, soars with the kind of feeling that wraps you up in the escapist fervor of cinema. If you’ve forgotten why you feel in love with movies, this will remind you, and rekindle your romance.

Please support truly independent film criticism
as generously as you can.
support my work at PayPal support my work at Patreon support my work at Ko-Fi support my work at Liberapay More details...

Blancanieves (2013)
US/Can release: Mar 15 2013
UK/Ire release: Jul 12 2013

MPAA: rated PG-13 for some violent content and sexuality
BBFC: rated 12A (contains bullfighting scenes and infrequent moderate sex references)

viewed at home on a small screen

official site | IMDb
more reviews: Movie Review Query Engine | Rotten Tomatoes

If you’re tempted to post a comment that resembles anything on the film review comment bingo card, please reconsider.

  • LaSargenta

    It played at the Angelica. We saw it and, yes, it is beautiful.

  • RogerBW

    Ooh. Sounds fascinating.

  • Patrick

    I saw it at the indie theater I volunteer at. I agree with your review 100%. Also, Pepe the Rooster could give the dog in The Artist a run for its money!

  • Greyhound

    Well, I’m sold. Must figure out where this is playing . . .

Pin It on Pinterest