
Miss Sharon Jones! documentary review: get up, get on back up
Cheer-worthy portrait of a singer for whom overcoming adversity has been a mainstay, and a testament to the power of music and family to keep a gal going.

Cheer-worthy portrait of a singer for whom overcoming adversity has been a mainstay, and a testament to the power of music and family to keep a gal going.

An atypical disaster movie, less about the failure of technology than the failure — and perhaps the resurgence — of the human spirit in the face of that.

Delightful. A sharp, affectionate peek inside the cozy, supportive community of writers and readers that drives multibillion-dollar romance book publishing.

Kate McKinnon’s gleefully reckless physicist is brainy comic mayhem, unlike any female character we’ve seen before. And there are more reasons to cheer.

Sends up one-upwomanship, egotistical self-help, and reflexive hedonism with zing. It is a sheer triumph to see two older women being really funny onscreen.

Fantasy meandering twists into something more action-oriented, and there’s little magic in it. This is not what we expect from a master cinematic fantasist.

Beautifully photographed, sometimes brutal, ultimately uplifting: a lively and amusing journey of four women pushing back against India’s patriarchy.

Open, frank, funny romantic dramedy about a young Indian woman living with cerebral palsy. A perfect antidote to the disability pity porn of Me Before You.

Plays with hierarchies and rivalries of women’s lives that often aren’t seen onscreen, and embraces women as powerful. But it’s just not very funny about it.

“Less Ed and Lorraine” and “more cheese and cardboard” is precisely the last direction a sequel to the classy original should have gone in. Yet here we are.