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As harshly beautiful as its landscape, this is a stark corrective to the American western it echoes, and a pragmatic confrontation with the deep, tenacious roots of modern racism.
A wonderfully old-fashioned tearjerker, with a thoroughly delightful cast, where cosy quaint Englishness is leavened by a harsh reality of World War II that pop culture has ignored.
This is scorched-earth cinema that challenges us to find moments of grace and triumph among misery, cruelty, and emotional frugality. Maxine Peake is absolutely incendiary.
A same-old story of a white man’s angst, set against the “exotic” backdrop of 1980s war-torn Beirut. This brand of Hollywood myopia is tired, uninteresting, and no longer acceptable.
Excruciatingly suspenseful and unexpectedly moving portrait of the on-court rivalry between the two great tennis players… and the intriguing secret layer to the public dynamic between them.
In this centenary year of the end of World War I, this story of a real-life dog who served in the trenches is a gentle, engaging way to introduce kids to an essential piece of history.
A little bit psychedelic, a little bit queasy, a little bit experimental, a lot existential, this is a jarring, visceral portrait of the around-the-world sailor in over his head.
A fiercely feminist and proudly revisionist historical drama that offers a powerful and much-needed rebuke to modern Christianity. Enrapturingly beautiful and intensely emotional.
Cursed twins who speak in faux-byronic enigmas, a crumbling manse full of dead birds and velvet drapes, and strained psychosexual nonsense. There’s nothing eerie here, just the puerile and misjudged.
An all-style and very-little-substance exercise in random oddity and weird imagery. Dispenses with engaging characters and revels in its own meaninglessness as if emptiness were deep and significant.
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