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A feature-length Oscar clip, two hours of Gary Oldman stomping around in a Winston Churchill suit. There’s too little drama and too much inevitability in what amounts to a reanimated Madame Tussaud’s waxwork scene.
Crackles with life and energy, depicting a grand adventure in journalism from almost half a century ago with vigor, suspense, and an urgent relevance for today.
Upends expectations, demythologizes the mythos, and takes an iconic series in a bold new direction with a story full of humor, courage, and dazzling imagery.
Enraging, and eye-opening, the beginning of the antidote for how Black women’s lives get erased in America. Tells a story that we should recognize as epic.
An important portrait of America on the day that changed it for the worse… but difficult to watch, with the impact of the election still spiraling out of control.
Breezy, jokey, crammed with clever sci-fi ideas; the funniest MCU flick yet. Director Taika Waititi brings a new geeky verve we didn’t realize the series needed.
Audacious, outrageous, bleakly funny. Not since Charlie Chaplin sent up Hitler and invited us to laugh at terrible reality has there been a movie like this.
Almost hilariously terrible: absurd plot machinations, dubious politics, not a single character to care about. And it doesn’t even give good disaster porn.
Save us from male artists who think they are dangerously, uniquely innovative. This stew of toxic masculinity and CGI-cartoon violence is nothing but tediously mundane.
It’s tormented hotheads all around with a hero and villain who are almost indistinguishable and same-old spy stuff racing to a seen-it, been-there ticking-clock finale.
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