
Out of Blue movie review: murder most muted
A limp noodle of a cinematic noir that drains Patricia Clarkson of her usual eccentric charisma. And where it aims for intriguingly oblique pseudoscientific philosophizing, it ends up merely obtuse.

A limp noodle of a cinematic noir that drains Patricia Clarkson of her usual eccentric charisma. And where it aims for intriguingly oblique pseudoscientific philosophizing, it ends up merely obtuse.

This uninvolving coming-of-age crime drama tries to dazzle with visual tricksiness, but it cannot make up for its teen protagonist who is mere metaphorical symbol, and a bystander in her own story.

Actor Jessica Hynes makes an astonishing directorial debut with this disconcerting little movie about women’s everyday anger and resentment, and the absolute battle just to get through the day.

Beautiful teens fall in love while dying prettily in this year’s tragic young romance, one that medical necessity renders refreshingly chaste. Best bit: Star Haley Lu Richardson is genuinely charming.

An indie ethos comes to the comic-book movie, upending the origin story and offering a female superhero who throws out the boys’ rule book, goes her own way, and stalks among us with easy confidence.

Post WWII upheaval is a cheap backdrop to beautiful people getting it on. Characters and situations are undeveloped, and there’s little genuine romance here, and too much laughable preposterousness.

Harrowing and heartbreaking, a nightmare dystopia that could almost be a documentary. This tough but essential film slyly asks us to consider what we owe children, not just our own but the world’s.

Devoid of personality and soul, this hellish Frankenstein monster of processed entertainment product wallows in a stew of borrowed ideas and imagery and does absolutely nothing fresh with them.

Oh hey it’s The Nice Guy’s Complaint done up arthouse style, meant to render male entitlement, unwarranted sexual jealousy, and personal ineffectualness as something deep and meaningful. It’s not.

Overlong and underwritten, tepid and dreary, this would-be sexual melodrama isn’t lurid enough to qualify as soft-core porn, but never finds any true emotion among its triangle of lovers, either.