Frozen II movie review: the thaw sets in
There’s magic here, and elemental spirits, but no magic and nothing elemental, metaphorically speaking. Rote and smaller than its predecessor. Even the songs are bland and forgettable.
2019 theatrical releases
Knives Out movie review: catch your death of fun (LFF 2019)
An entirely entertaining murder-mystery jape; dryly funny, deliciously retro yet decidedly modern. Whenever you think you’ve got it figured out, it trips you up again… and you love it for doing so.
A Beautiful Day in the Neighborhood movie review: the importance of radical kindness (LFF 2019)
This wonder of a film wrecked me. In the best possible way. It directly confronts cynicism and misanthropy, and asks us to let them go if we can. I really needed its message. The whole world does now.
21 Bridges movie review: roads to nowhere
Bland, predictable cop and crime clichés lacking all urgency and any of the claustrophobia that should come from its high-concept premise. Shutting down Manhattan has zero impact on anything here.
Radioflash movie review: it’s got no juice
Inept post-EMP survival thriller is no more thrilling than it is plausible, and inexcusably casts its resourceful teen heroine as a victim constantly at the mercy of others and in need of rescuing.
The Cave and For Sama documentaries review: life inside a war zone
Two intimate documentaries from inside the Syrian civil war, diaries of women who stayed to fight for their nation and help their people, pay tribute to human perseverance and chide Western apathy.
Last Christmas movie review: give it your heart, get your heart stomped
Love and life are pain, the glitz and sparkle of Christmas are but a momentary reprieve from it, and everything is pretty much unrelentingly awful. But Emilia Clarke and Henry Golding are adorable!
The Good Liar movie review: mangled web
We expect a film about a con man to con us, but it’s not fun here: it’s absurd. This limp thriller might fancy itself smart, sharp, twisty, and probably feminist, but it just made me groan out loud.
Le Mans ’66 (aka Ford v Ferrari) movie review: when “circle back” meant something else in corporatespeak
A winning (if overearnest) depiction of manly friendship, with some pretty thrilling (if only technically so) racing stuff. But it doesn’t see its potential to be actually culturally significant.
Making Waves: The Art of Cinematic Sound documentary review: why movies sound so great (even if you never noticed before)
Enlightening, thrilling masterclass in the art of cinematic sound, from every moment of groundbreaking history to the difference between sound editing and sound mixing. (Win your next Oscar pool!)
