
Serena movie review: logging for pulp
What starts out as solid romantic melodrama — almost Golden Age of Hollywood stuff — gets so crazy so fast in so many ways.

What starts out as solid romantic melodrama — almost Golden Age of Hollywood stuff — gets so crazy so fast in so many ways.

A celebration of male arrogance that pretends to be a condemnation. Because who wouldn’t love to spend 108 minutes with an insufferable egotistical “genius”?

A particularly ugly iteration of “war is hell”… and I mean that as a compliment. This is a film that is deeply unpleasant and near genius.

Avoids feeling as supremely calculated as it is, perhaps because Robert Downey Jr.’s snark and Robert Duvall’s crusty pragmatism vaccinate against it.

Apparently written by the same people who write the ridiculous quizzes and sex-tip listicles in Cosmo and Men’s Health …

Jason Reitman is way too young to have produced a work of such fuddy-duddy handwringing over These Kids (And Adults) Today and how we play with our e-toys.

Bland and generic beyond the small pleasures of its theme-park-ride-esque thrills and its half-intriguing, half-infuriating mystery.

Remember this name: Jack O’Connell. He is magnificent in one of the most remarkable portraits of soldiering in recent memory.

It’s strictly for kids, this very silly, mostly sweet tale of middle-school angst, with a few nonconformist hand grenades tossed in for good measure.

A solid action fantasy more elemental and visceral than I expected, thanks to the potent presence of Luke Evans.