handcrafted by maryann johanson (human) | 100% free of AIs and algorithms
Whoever uploaded this to YouTube says it’s 1940s, but it looks more 1950s to me: Wow! Can I still get one of those rockets? It’s a toy and a game! It crashes imaginary astronauts into the moon! It’s totally cool!
Weird-ass-est shit from the 1940s I’ve ever seen: via Echidne of the Snakes
I don’t mind telling you that I find this amusing:
It’s just about two women doing something for themselves, for their own amusement and enlightenment, and not even to please their men — hell, they’re not even competing for the same man!
Half bitter and harsh, half propagandistic and hagiographic, this is the love child of ‘Saving Private Ryan’ and ‘Pearl Harbor,’ too sentimental to be intellectually satisfying but too tart to serve as melodrama.
Berlin has been reduced to rubble, the Russians are overrunning the city, 10-year-old kids are fighting alongside soldiers in the streets, and a once-proud citizenry has been completely demoralized. The reaction from the nation’s leadership: “The German people chose their fate,” Joseph Goebbels says with a shrug — after all, they elected the man who … more…
This is classy gothic horror, old-fashioned in the best way: there are no CGI specters, just mysterious footsteps and distant cries and movement in the shadows and hushed whispers and slamming doors.
Maybe because A Christmas Story, based on writings by humorist Jean Shepherd, concerns itself with the universalities of childhood, at least as it existed in America in the 20th century. From the mysteries of life — like, Does a human tongue stick to a frozen flag pole? — to the ‘unthinkable disasters’ of youth that are hilarious in adult retrospect, A Christmas Story taps into the bewildered and not-so-innocent child still in all of us.
Atlantan Miss Daisy Werthan (Jessica Tandy) is a ‘fine, rich, Jewish lady,’ says her black chauffeur, Hoke Coburn (Morgan Freeman). Driving Miss Daisy is the bittersweet drama about the unspoken friendship between this unlikely pair over a quarter of a century, from 1948 to 1973.
Director Richard Attenborough’s Gandhi is one of the most ambitious biographical films ever made, encompassing not just more than half a century of one man’s life but also one country’s struggle for independence. Ben Kingsley is a marvel as Mohandas K. — later called Mahatma — Gandhi, doing a remarkable job of conveying the soft-spoken determination of a man who would come to inspire a messianic fervor among his people and convincingly aging himself 55 years with little more than alterations in his posture and way of carrying himself.
sample sponsored post (sponsored) - Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce quis risus odio.
