film criticism by maryann johanson | celebrating 25 years: 1997–2022
The wacky-yet-heartfelt comedy just about works; the gibberish dialogue, not so much. But this could be the makings of a crowdsourced cult fave, if playful viewers end up creating their own subtitles.
Dull, earnest fanfic full of halfhearted secret-agent shenanigans and a misguided rethink of Chamberlain the appeaser. Same-old rote, by-the-number World War II–ing we’ve seen countless times before.
I personally have found it very difficult to focus on anything creative in the past four years (and it only got worse in 2020). And I wasn’t alone…
Attention, social justice warriors. French economist Thomas Piketty’s howl-of-rage academic treatise is now a hugely engaging documentary, eye-opening and brutally entertaining. Man the barricades!
How have I never heard about these Three Stooges shorts before?
Clint Eastwood turns a terrorist attack into a bit of post-hoc reality “entertainment” with the stunt casting of the actual heroes as themselves in a stilted, tone-deaf piece of Christian-American propaganda.
Audacious, outrageous, bleakly funny. Not since Charlie Chaplin sent up Hitler and invited us to laugh at terrible reality has there been a movie like this.
EMPs and nukular codes and cyber crap and submarines, oh my! “What does this have to do with us?” Michelle Rodriguez cries, and I’m like I know, right?
Familiar-feeling tale of a real-life plot to kill a high-ranking Nazi in 1942 Prague manages some suspense thrills but mostly misses the emotional ones.
Nazis: I hate these guys. But I adore this show.
