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A beautiful story about ugliness, about dignity in the face of hatred, told via delicate yet steely performances that imbue it with a power at once tender and infuriating. Totally enrapturing.
A hilarious ode to talentless passion. James Franco gives the bizarre Tommy Wiseau depth without solving his mystery, but skips a deserved zing at Hollywood.
The delicately balanced foolishness of Now You See Me gives way to impossibly supernatural magic tricks aimed at thwarting the least menacing villain ever.
Teenaged girls behaving badly, depicted with a positive vibe. Progress? Turns out grossout movies don’t work even when they’re kind of feminist.
He doesn’t only look and sound like Harrison Ford, he’s got the charm and the presence for the role.
Apparently made by snickering 12-year-olds who like naked boobies and have heard rumors about the phenomenon known as “the business trip.”
Funnier even than the first film, nonstop self-deprecation that doles out well-deserved smacks to about 817 Hollywood things that desperately deserve it.
A mess not by accident but by design. It’s meant to be a ton of stuff thrown against the wall in the hope that some of it will momentarily distract you into involuntary laughter.
Most of it makes no sense at all, but who cares? This is cheerful ridiculousness pulled off with panache.
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