AWFJ 2022 EDA Awards winners announced
The Banshees of Inisherin, Everything Everywhere All at Once, and Women Talking tie for the most awards, at four apiece.
Jon Hamm
Top Gun: Maverick movie review: we’re well into the danger zone
With its melancholy regret and bittersweet nostalgia, this is far superior to the 1986 blockbuster. But as the sun goes down on American imperialism here, the last-gasp celebration of it unsettles.
AWFJ 2019 EDA Awards winners announced
And we have winners!
Richard Jewell movie review: innocent man, guilty movie
Cluelessly simplistic rendering of a 1990s media injustice ignores all the context in which it happened and demonizes the one journalist who acted professionally. Fails even as a conservative screed.
Bad Times at the El Royale movie review: bad times indeed
A self-indulgent, faux-woke mashup of noir crime, black comedy, and Tarantino-esque ultraviolence. Some great performances, including a spectacular feature debut from Cynthia Erivo; shame they’re so wasted.
Beirut (aka The Negotiator) movie review: an American man finds absolution in the messy Middle East
A same-old story of a white man’s angst, set against the “exotic” backdrop of 1980s war-torn Beirut. This brand of Hollywood myopia is tired, uninteresting, and no longer acceptable.
Baby Driver movie review: common car-nage
Edgar Wright used to send up cinematic clichés with gusto and with huge humor. Here he just embraces them — and his sullen, unengaging hero — unironically.
Keeping Up with the Joneses movie review: no, let them go
Take True Lies and Mr. & Mrs. Smith. Remove wit, sexy charm, and satire on marriage. This is a recipe for a movie anyone wants to see?
question of the day: What’s the first quintessentially 21st-century TV show?
I might go with Mad Men, which represents a reexamination of the past in a way that no other series set in the past has done.
Friends with Kids (review)
Trying to figure what is the most offensive thing about this accidental mashup of 70s Woody Allen and Sex and the City…
