Razzie nominations are in!
Oh, the glorious awfulness!
Oh, the glorious awfulness!
I’ve finally gotten through the last few films I needed to see for the year, and am now able to definitively declare that of the 208 new theatrical releases I saw during the award year (which doesn’t really end till the Oscars are handed out next month), these 10 are the very worst of the lot…
Does Hollywood truly intend to be more creative, more original… or is this just a clever new marketing tactic?
Even the moderate financial hits have been, for the most part, ugly, boring, and creatively tapped out, even grading on the summer-blockbuster curve.
As of this past weekend, *Toy Story 3* has earned almost £59 million in the U.K…
Every week my browser gets cluttered up with tabs for stuff that I stumble across and figure I might be able to use as a Question of the Day or a WTF Thought for the Day or grist for some other post…
What else can Disney plunder from its own history?
At the behest of several readers who appear to believe they know my taste better than I know it, and also in an attempt to figure out just what the hell M. Night Shyamalan was thinking with his The Last Airbender, I watched the entire first season of Nickelodeon’s pseudo-anime series Avatar: The Last Airbender.
…you people who hate his films more and more with each passing release. At least that’s how it sounds from a bizarre exchange at a recent press conference to promote The Last Airbender, as reported by Chicago Now’s Marcus Leshock. First came the question from a journalist: You had a very strong start of your … more…
…for deciding that two female action stars constitutes a “new normal”: It’s amusing to realize, in hindsight, that Luc Besson’s funky-violent French art-house thriller La Femme Nikita, in 1990, and its rote American remake, Point of No Return, in 1993, were still treating lady-killer heroines with kid gloves. At that point, seeing an actress like … more…