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E.J. Beaton has written a fabulous thing at Tor.com about the appeal of Loki, particular as portrayed in the Marvel Cinematic Universe by Tom Hiddleston, and even more particularly as he is depicted in the Disney+ series Loki…
Dishearteningly less concerned with giving Natasha Romanoff her own story than with setting up her MCU replacement. Superfluous, backward-looking, its bit of feminism belabored. She deserved better.
Who are we rooting for in this accidental parody of the empty absurdity of modern action films? Everyone is awful, or a human macguffin. This is soulless technical wankery bereft of humor or humanity.
“Hey, so you wanna go to the disneys tonight?”
Delicate-snowflake misogynist whiny-ass crybaby fanboys lose their shit… again.
A miraculous blend of grief and humor. Big, bold, brash, then sneakily meta. I am only starting to get my head around the emotional and creative right-hook of it. A fitting end (for now) to the MCU.
Stunning photography — perhaps the last time anyone will haul IMAX cameras into the Amazon — a bit of adventure, and a solid, simple, inspirational science lesson. Everything an IMAX doc should be.
Nothing matters in this literal adolescent-male power fantasy, a cheesy mishmash of nonsense and low stakes. Anyone who needs at least a bit of meat in their superhero tales will be disappointed.
An indie ethos comes to the comic-book movie, upending the origin story and offering a female superhero who throws out the boys’ rule book, goes her own way, and stalks among us with easy confidence.
Earnest and humorless, this is a faux-intellectual Comic Book Guy ponderously well-actually-ing us about shallow superhero tropes and clichés as if those are the most intriguing bits of these stories.
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