
The Brutalist movie review: red, white, and brutal
Stark and unsentimental, as stubborn and as challenging as its protagonist, and as monumental as his works. Adrien Brody’s performance is extraordinary, full of flinty anger and palpable melancholy.

Stark and unsentimental, as stubborn and as challenging as its protagonist, and as monumental as his works. Adrien Brody’s performance is extraordinary, full of flinty anger and palpable melancholy.

Uniquely fresh yet also deeply lodged in the history of cinematic horror, with a powerful breakout performance from David Dastmalchian. But its triumph is, ironically, marred by the use of “AI” “art.”

I correctly guessed 12 out of the 23 categories, which is a little worse than how I did last year but better than the year before. So about par for the course for me.

Oppenheimer takes eight awards, Barbie four…

The Zone of Interest, Killers of the Flower Moon, and Barbie are the big winners.

Is there anything definitive that can be said about movie runtimes, or is it always a matter of It depends…

The king of all monsters gets a period-piece reboot, and it’s the closest the series has gotten since to the sincere, unironic horrors of the 1954 original. No comfy escape from terrible reality here.

2006’s The Prestige leaves UK Prime soon; on Paramount+ in the US.

2014’s The Judge is available to rent or buy on Prime and Apple TV on both sides of the Atlantic.

2017’s The Party is on Kanopy in the US, Curzon Home Cinema in the UK.