The demonic-possession subgenre isn’t exactly one crammed with quality cinematic experiences, but it hits a dull, unscary new low with this inept flick.
Now with winners indicated.
Did it occur to Linklater to make Girlhood, with his daughter starring instead of supporting? Still, the dynamic depiction of the mother’s life is fantastic. [This post is not behind the paywall.]
The Online Film Critics Society is one of the orgs for which I help choose year-end best-ofs.
An audacious coming-of-age tale unique in the history of cinema; deeply moving and beautifully authentic.