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I correctly guessed 12 out of the 23 categories, which is a little worse than how I did last year but better than the year before. So about par for the course for me.
Oppenheimer takes eight awards, Barbie four…
The Zone of Interest, Killers of the Flower Moon, and Barbie are the big winners.
Eschewing the compelling SF questions it raises, Morgan resorts to violence and would-be cleverness, and makes concrete what it should have left ambiguous.
Could have been assembled entirely from clips from other movies — mostly the Star Wars prequels — and would have been better if it had been.
Intense, unconventional, often uncomfortable portrait of Beach Boys leader Brian Wilson that transcends the typical clichés about madness and creativity.
Important life lessons, everyone…
The seething rage radiating from the screen elevates this above similar movies. But that rage is truncated in ways that are hard to ignore.
Cornball disaster-porn melodrama… in 3D! Dumb, insulting, and bloodless. It’s Hollywood’s subconscious death wish brought to life, in more ways than one.
Might be the most ridiculously cute movie I’ve ever seen, in a way that transforms adorableness into something honest and wise and deeply satisfying.
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