Pompeii rating: yellow light
Instantly forgettable but more than passable as a diversion; solid B-movie cheese that’s like Titanic-lite meets Gladiator-lite.
Paul WS Anderson
Pompeii trailer: their love was so powerful, the earth moved
Please let this be as stupidly fun as it looks.
The Three Musketeers (review)
It is leaden where it should be light. It is graceless and charmless. It reels from the painful banter. It is the epitome of empty soulless corporate filmmaking.
The Three Musketeers (1948) (retro trailer)
Unlike Paul W.S. Anderson’s sure-to-be opus, this one doesn’t have 3D. But there are some painted backgrounds that are fairly hilarious.
question of the day: Can a director who doesn’t know how to tell a story still be called a strong visual filmmaker?
Isn’t it all about telling a story?
The Three Musketeers (trailer)
In 3D. Just like Alexandre Dumas intended.
cinematic roots of: ‘Resident Evil: Afterlife 3D’
In Resident Evil: Afterlife 3D, the 187th installment in the series, Milla Jovovich continues kicking zombie ass in… and this time it’s in 3D! This flick sprang from (among other films)…
Resident Evil: Afterlife 3D (review)
Paul W.S. Anderson loves him some style without style, texture without substance: this is all white noise, visual static to make the movie pop more in 3D.
trailer break: ‘Resident Evil: Afterlife 3D’
Oh wow! I so can’t wait to have zombie mouth tentacles and giant battleaxes coming out at me in IMAX 3D!
new this week in U.S., Canadian, and U.K. theaters: ‘Despicable Me,’ ‘Predators,’ ‘The Twilight Saga: Eclipse,’ more
U.S. AND CANADA/OPENING WIDE Despicable Me: “It’s so fluffy I’m gonna die!” is my new go-to phrase for when I’m excited about anything. If you can’t make it to the multiplex, try: • The Incredibles (2004): the last great animated movie about supervillains (and the superheroes who thwart them). • 101 Dalmatians (1961): For one … more…
