Water for Elephants (review)

As cornball goes, there’s nothing cornier than running away to join the circus. And that’s why Water for Elephants works so beautifully: It doesn’t pretend to be anything other than an old-fashioned melodrama yarn-spun for as much emotion and tragedy and romance as possible.

The Concert (review)

This is how you get your arthouse-averse friends to watch a foreign fil-um: show them The Concert. Yes, they’ll have to read subtitles, but it is just simply crammed with so much Hollywood feel-good that a studio remake is surely just around the corner, probably starring Reese Witherspoon with a French accent and Stanley Tucci pulling a Russian one.

How Do You Know (review)

I’d really like to give writer-director James L. Brooks the benefit of the doubt here, because I think — as I usually don’t about asinine romantic comedies — that he means well. He simply doesn’t seem to realize that pathologically messed up characters are neither cute nor charming.

dream cast: imaginary movie about the American Revolution

It’s Thursday, so it’s time for another Dream Cast, and this week we’re doing something special in honor of the American holiday Fourth of July. I’ve always wondered why we haven’t gotten a big, juicy, emotional, dramatic, epic movie about the revolt of the British colonies in the New World, especially considering how many spectacular … more…