Charlie Wilson’s War (review)
It’s one of those “fundamental interconnectedness of all things” things. Or a good-news, bad-news joke. Or an admonition to be careful what you wish for.
Tom Hanks
The Pursuit of Happyness movie review: Mr Smith goes to the Oscars?
I swear, homeless organizations could make a killing just standing around outside the multiplex when showings of Happyness let out and asking for donations to help people like Chris Gardner…
The Da Vinci Code (review)
It’s ‘Comparative Mythology for Dummies’ done up Hollywood style, except there’s no smooching.
totally quotable: best. lines. ever, 2004 edition
Here, in one place, the most quotable movie lines of the year 2004. They’re not ranked — they’re all great. [Warning: May contain spoilers.] [click here for the funniest bad snippets of dialogue from 2004] “Only people from the Bronx care about the Oscars.” –Sandra Dee (Kate Bosworth), Beyond the Sea “I’ve never seen a … more…
Sleepless in Seattle movie review
Nora Ephron’s delightful film is perhaps the epitome of the modern romantic comedy to which many a movie has aspired and few have even approached in its warmth, naturalness, and genuine spirit of amour.
Catch Me If You Can movie review: catch it if you can
Steven Spielberg has never made a film like this one before, sharp and bright, lighthearted and witty, underplayed and — dare I say it? — hip.
Road to Perdition movie review: pulp fiction
There’s not a thing that isn’t hauntingly, quietly electrifying about this, the first truly grown-up comic book movie. Fans of the medium have known for years that the form had no trouble being Important, but the film industry (though perhaps not all filmmakers themselves) has stubbornly insisted on treating comic adaptations as juvenile.
Cast Away movie review: island boy
I am very happy to report that Cast Away is terrific. And touching and smart and willing to grant the audience a modicum of intelligence. I will never again be able to look at a purple and orange FedEx logo and not think about Tom Hanks and Cast Away. This is an unforgettable film, full of imagery and emotion that lingers, one that far exceeds even the high expectations that accompany it.
Apollo 13 (review)
Despite the fact that we all know how the story ends, director Ron Howard manages to make Apollo 13 not only riveting but suspenseful as well. Howard’s attention to detail goes above and beyond the call of duty.
Toy Story 2 (review)
Funnier and more touching and meaningful than its predecessor, Toy Story 2 is the rare sequel that improves upon its progenitor — and, considering how wondrous Toy Story was, that’s saying something. Toy Story — as funny and fun as it was — was also bursting with joy, with the delight the filmmakers obviously took in bringing a roomful of toys to life. Toy Story realized that secret childhood fantasy we all had, that our toys had lives of their own, that they played with one another when we weren’t around.
