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The dorm-room philosophy of the 25-year-old series is still pondering how wild it is that we all die, how fragile our meatbag bodies are. Now with gory dismemberments and squishy impalements in IMAX!
Unfunny action comedy can’t even pull off sloppy Yuletide kitsch. The anti-chemistry among its likable stars is “bested” only by the ugly CGI. Have some light festive violence — you know, for kids!
I have so many examples, but I’ll just mention the X-Files episode “Humbug”…
If you like these sorts of movies, you’ll like this one, a solid SJW drama out to condemn, with plenty of evidence, profit-above-all capitalism that embraces willful negligence and corruption.
Body-horror SF via Lovecraftian grotesquerie, with a now tedious rampage from Nic Cage. As if a man needs to be influenced by unfathomable aliens to turn to violence. I need more from my pulp fiction.
A horror movie for grownups, dripping with the dread of a fairy tale of yore, primitive and atavistic, drawing on profound human pain and fear.
Boiled down to its bonkers essence, Skull Island is a Vietnam war movie with monsters, a retro analog vibe, and a dash of both Moby-Dick and The X-Files.
Amenábar aims for a noirish X-Files vibe, but preposterousness rules this inert trudge that does absolutely no justice to a terrible real-life phenomenon.
The highlight is the absolutely astonishing “World of Tomorrow,” which crams in more SF ideas than you’ll find in a decade’s worth of summer blockbusters.
Found footage has come to be an excuse for storytellers to completely bypass drama, character development, and plot in an attempt to be “authentic.”
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