Slow Burn (review)

Early on in this hopelessly naive “thriller,” urban prosecutor Ray Liotta (Wild Hogs) notes of his misbehaving underling that she is an “assistant D.A. of color”; I thought I must have misheard, because clearly this character could not be mistaken for black if her life depended on it, but later, LL Cool J’s (S.W.A.T.) enigmatic narrator calls her a “fine sister.” If you’re thinking, “Wait, Jolene Blalock -- that Vulcan chick from Enterprise -- she’s black?” then you are not alone. The theme of racial confusion that attempts to underlie this would-be noirish murder mystery becomes just one more unintentionally hilarious aspect: dead lovers, governmental corruption, and a woefully botched who-is-Keyser-Soze conundrum come together in a mess that is meant to be edgy and titillating and is, at best, uncomfortable and icky -- I’ve rarely seen a sex scene pulled off with such a lack of understanding for what makes something sexy onscreen -- and at worst, cause for derisive laughter. Shot in 2003, this flick has been sitting on studio shelf since then, and it should have been left there.

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In recent years seeing Ray Liotta's name as the star of a movie as well as 'producer' has made me gunshy about watching it; it's practically a guarantee that the movie is going to be bad. 'Slow Burn' is the latest example
It also has the distinction of waving a red flag early on by having the first scene feature some of the most amateurish and obvious 'exposition' I've seen in many a year. Really, the subtext of this scene, where everything you need to know is laid out like a blueprint, screams, "this is a lousy movie! This is a lousy movie!"

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posted:
Mon Apr 16 07, 4:04PM

categories:
reviews
> 2007 theatrical releases




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MPAA: rated R for sexuality, violence and language

viewed at a private screening with an audience of critics

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