
Swallow movie review: leaves a sour taste
Half a century ago, this would have been radical. Today, it’s banal. The slick postwar aesthetic is emblematic of a male filmmaker’s understanding of women that exists only through dated stereotypes.

Half a century ago, this would have been radical. Today, it’s banal. The slick postwar aesthetic is emblematic of a male filmmaker’s understanding of women that exists only through dated stereotypes.

Stella Meghie writes and directs The Photograph, costarring Issa Rae; more… [This post is for Patreon patrons only for the first month.]

So aggressively precisely what you think it is that there’s almost no point in seeing it. Flattens a true story into generic pap that isn’t even that successfully, authentically feel-good, either.

Don’t let the Pixar curve throw you: familiar this quest may be, but it’s full of magic and wonder and humor and melancholy, and set in a fully realized fantasy world. Not a masterpiece but very good.

“We hope that these photos encourage viewers to reflect on the way that stereotypes persist in mass culture….”

It’s meet-melancholy in an elegant, female-gazey romantic drama audaciously mingling past and present. A swanky celebration of confident, complex women and the bittersweetness of adult relationships.

Badass UN Special Rapporteur Leilani Farha probes the global housing crisis and breaks down the complex cause into something readily comprehensible… then enraging. (But she has a solution, too.)

Elisabeth Moss stars in The Invisible Man; more… [This post is for Patreon patrons only for the first month.]

Elisabeth Moss stars in The Invisible Man; more… [This post is for Patreon patrons only for the first month.]

This exasperating movie is so obnoxious it could be deliberately trolling us. Wants to have its ambiguous cake and eat it, too, smothered in a gloomy frosting. *extremely pinches nose in despair*