
I Am Woman movie review: more a purr than a roar
A winsome Tilda Cobham-Hervey leads a rote rags-to-riches tale, though its rampant sexism is a villain women will recognize. Needs to be seen, even if it’s not quite the tribute Helen Reddy deserves.

A winsome Tilda Cobham-Hervey leads a rote rags-to-riches tale, though its rampant sexism is a villain women will recognize. Needs to be seen, even if it’s not quite the tribute Helen Reddy deserves.

I’m obsessed with this British miniseries following one family through a dystopian 2020s. It’s completely harrowing, very nearly soul-crushing. Yet I cling to its tenuous optimism and profound beauty.

Offbeat portrait of an unconventional girl is all over the place, sometimes detouring into the cringeworthy, as it tries to depict the emotional familial confusion its tween protagonist is navigating.

The to-die-for cast can’t quite save this melodrama from its trite obviousness, in which rage and grief are matters of tasteful, upscale lifestyle. But they at least make it passingly watchable.

Acceptably inoffensive, if less than wholly engaging. At least Liu’s strong, stately Mulan is a wonderful role model for girls who aren’t much interested in conformity and adhering to expectations.

Mental-health professionals, bound by ethics to point out danger, discuss how President Donald Trump is uniquely dangerous, a literal menace to society. Nay, not “discuss”: they are screaming it.

The chill zen and goofy charm of GenX’s philosopher-fools remains intact, but their latest adventure is too familiar a retelling. Still, “Be excellent to each other” won’t ever not be worth heeding.

Hawke is warm and empathetic, but the film’s artificiality is at odds with a celebration of the visionary’s life and work, and finally offputting. I wish this were either more earnest or more bonkers.

Filmmaker Amy Seimetz evokes a taut, cursed mundanity, an allegorical contemplation of culture at its most basic level: when it fails and everyone is hopeless. Accidentally hits our pandemic mood.

Is this a documentary about quality day care for the smallest kids, or a slick PowerPoint presentation for policy wonks about the economic need to churn out cooperative corporate cogs from babyhood?