Museum Hours review: life as art
A little bit like a travelogue, a little bit like people-watching, this is simultaneously a relaxing and invigorating cinematic experience. Simply magnificent.
reviews
About Time review: creep trick
Arbitrary and inconsistent rules of time travel in aid of creepy romantic manipulation and temporal stalking. But hey, at least it’s got Bill Nighy!
Riddick review: men will be boys
Dispenses with all pretense that the modern action blockbuster is anything other than the confused, terrified power fantasy of a particularly sheltered and emotionally stunted teenaged boy.
Bounty Killer review
The genre equivalent of soft-core porn: it doesn’t care how strained and derivative it is as long as it is delivering flying bullets, fast cars, and closeups on women’s sashaying asses.
The Mortal Instruments: City of Bones review
Way to give overwrought fan fiction a bad name. No amount of fairy dust can make this bewitching.
2 Guns review: buddy cops, slight of hand
Oddly took some advice not intended for movies: “Be specific but not memorable. Be funny but don’t make ’em laugh.”
Passion review
Trashy remake of the brilliant French black comedy strips out the satire and slathers what’s left in ridiculous lesbian-erotic-thriller sauce.
Hammer of the Gods review
This is what happens when your Lord of the Rings cosplay gets overrun by Method stuntmen.
The Lifeguard review
Apparently it’s hard to be a grownup in today’s crazy world without committing consequence-free statutory rape. Ugh.
Upstream Color review: higher dimensions of storytelling
A confounding intellectual mystery, an enigmatic philosophical science fantasy that’s like a cinematic Moebius strip.
