
Capernaum movie review: a child’s real-life horror
Harrowing and heartbreaking, a nightmare dystopia that could almost be a documentary. This tough but essential film slyly asks us to consider what we owe children, not just our own but the world’s.

Harrowing and heartbreaking, a nightmare dystopia that could almost be a documentary. This tough but essential film slyly asks us to consider what we owe children, not just our own but the world’s.

My pick: Vincent Lambe’s controversial and profoundly harrowing “Detainment,” a dramatization of the real-life police interrogations of the 10-year-old boys who killed a toddler in England in 1993.

My pick: Marshall Curry’s “A Night at the Garden,” presenting footage from a 1939 “pro-America” rally in New York City, a chilling reminder of the unpleasant cycles of American history.

My pick: The animated short of the year surely must be Domee Shi’s “Bao,” a bittersweet reverie on motherhood that features one of the most hilariously shocking moments onscreen this year.

Genuinely heartwarming, totally cheerworthy, bursting with warm and generous performances, and just a whole damn lotta fun. (And I hate professional wrestling.) Florence Pugh absolutely rocks it.

The gorgeous and once glorious fantasy series comes to a flat conclusion, one in which the stakes feel way lower than they should and the spark that once animated and elevated the story is missing.

Devoid of personality and soul, this hellish Frankenstein monster of processed entertainment product wallows in a stew of borrowed ideas and imagery and does absolutely nothing fresh with them.

A beautiful story about ugliness, about dignity in the face of hatred, told via delicate yet steely performances that imbue it with a power at once tender and infuriating. Totally enrapturing.

Our expectations are a lot higher now after the unexpectedly wildly inventive first movie… and this sequel delivers, digging with witty subversion into Hollywood’s glorification of its male heroes.

The latest Liam Neeson revenge fantasy simply makes no sense even before you get to the tedious action, undeveloped characters, and stubborn racism and sexism. A rancid excuse for a thriller.