This Means War (review)
I’d call this How to Lose a Spy in 10 Days, except all along I was rooting for nothing but for Reese Witherspoon to dump both Tom Hardy and Chris Pine…
I’d call this How to Lose a Spy in 10 Days, except all along I was rooting for nothing but for Reese Witherspoon to dump both Tom Hardy and Chris Pine…
Oo oo oo, it’s CIA action porn when Safe House finally gets going, all mysterious black SUVs and “kill the surveillance cameras” and stoic badassery all round…
I’m so excited cuz it’s like Taylor Lautner made a movie just for Team Jacob! Except he’s not a werewolf or anything silly or fantasy like that — he’s a real teenager with real problems. Like being the secret child of top international spies.
“Two months later”? You gotta be kiddin’ me.
I think Gwen sums it all up when she says: ”So… why the hell… you know… blerp… Bollocks.”
So many dull yet dreary questions raised by this episode! But perhaps the most pressing one is this: Is Esther the dumbest CIA agent ever?
Thank you, Torchwood, for sucking so much I can’t even enjoy naked John Barrowman.
I’m struggling here to have some fun with “Miracle Day.” Because otherwise I’d be crying.
No spoilers here, if you’re in the U.K. and you’ve been good and won’t see this episode till tonight, when it finally airs on BBC One. There are no spoilers because there’s pretty much no way to spoil this episode: it’s all setup… all the setup we’ve already heard about.
Joe Wright makes sure his story looks great — and sounds great, with its aurally spectacular Chemical Brothers score — but it’s an empty experience, a Frankenstein story with no heft, indeed with little apparent awareness of the classic tale it is evolved from.