film criticism by maryann johanson | since 1997
A triumph. McQueen brings history to life and makes it sing with zest and passion, with a spirit that endures beyond the strife. A celebration of Black joy alongside a raging against Black oppression.
Guy Ritchie ups his game on his signature subgenre with a hilariously sublime crime comedy that acts as mirror on the legit world and oozes with crackling cynicism about culture and politics as well.
I’m back for my 11th appearance and the start of my fourth year as a regular recurring guest commentator on this always-fun culture-chat program…
Our most honored films are Roma (five awards), The Favourite (four awards), and Can You Ever Forgive Me? (three awards).
Three Billboards Outside Ebbing, Missouri wins big…
There is such kindness here, such humanity, such warmth and optimism. This is a fantasy of unique scope and astonishing emotional depth beneath the silliness.
The desperation, the neuroticism, and the idiocy of Bridget Jones continues to be appalling, not appealing. She is not the everywoman she is meant to be.
When FFJ sticks to farce, it works wonderfully, like something P.G. Wodehouse might have loved. But the longer it goes on, the more maudlin it gets.
Insanely grand… My god, I love this movie. It’s every movie. It’s the ultimate movie.
Implies that science! and scientists! could be fun! and adventurous! Oh noes, the kiddies! Brainwashed into thinking science is awesome! Who shall protect them from such horrors?
