
Madame Web movie review: absurdly tangled
A travesty of corporate cynicism. Its desperation to ride Spider-Man’s coattails is pathetic, but its convoluted, coincidence-laden nonsense is duller than you’d imagine: it’s not even so bad it’s fun.

A travesty of corporate cynicism. Its desperation to ride Spider-Man’s coattails is pathetic, but its convoluted, coincidence-laden nonsense is duller than you’d imagine: it’s not even so bad it’s fun.

I feel like if it is, this may be partly down to the forces that prompted last week’s Loaded Question: Is fandom out of control?

The teaser trailer for Thor: Love and Thunder landed today… and my response was, well, somewhat mixed. Where, when, and how does the current superhero cycle of cinema end?
“Hey, so you wanna go to the disneys tonight?”

A miraculous blend of grief and humor. Big, bold, brash, then sneakily meta. I am only starting to get my head around the emotional and creative right-hook of it. A fitting end (for now) to the MCU.

An indie ethos comes to the comic-book movie, upending the origin story and offering a female superhero who throws out the boys’ rule book, goes her own way, and stalks among us with easy confidence.

Ten years of Marvel superheroism culminates in a battle for the universe itself. Exhausting, bitterly humorous, and gripped in a stunning finality, it’s almost too much to take in, yet somehow not enough.

Thoroughly charming. Spider-Man’s signature light comedy works surprisingly well even as this story is uniquely steeped in the darker Marvel Cinematic Universe.

EMPs and nukular codes and cyber crap and submarines, oh my! “What does this have to do with us?” Michelle Rodriguez cries, and I’m like I know, right?

Girls and women love movies just as much as boys and men do. But it’s a love that gets thrown back in our faces by 95 percent of films.