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Melissa McCarthy

AWFJ 2021 EDA Awards winners announced

Tue, Jan 25, 2022
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And the winners are…

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movies by or about women opening UK/Ire Sep 20

Fri, Sep 20, 2019
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Lulu Wang writes and directs dramedy The Farewell, starring Awkwafina; more… [This post is for Patreon patrons only for the first month.]

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movies by or about women opening US/Can Aug 09

Sun, Aug 11, 2019
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Andrea Berloff writes and directs The Kitchen, starring Elisabeth Moss, Melissa McCarthy, and Tiffany Haddish; more… [This post is for Patreon patrons only for the first month.]

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my picks for tonight’s 91st Academy Awards (the Oscars for 2018’s films) (winners indicated)

Mon, Feb 25, 2019
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I correctly guessed 9 out of the 24 categories, which is appalling. I shall be in my corner reprimanding myself.

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movies by or about women opening UK/Ire Feb 01

Fri, Feb 01, 2019
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Taylor Russell costars in sci-fi mystery Escape Room; more… [This post is for Patreon patrons only for the first month.]

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AWFJ 2018 EDA Awards winners announced

Thu, Jan 10, 2019
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Our most honored films are Roma (five awards), The Favourite (four awards), and Can You Ever Forgive Me? (three awards).

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movies by or about women opening US/Can from Wed Oct 17

Fri, Oct 19, 2018
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Elizabeth Chomko directs family drama What They Had; Marielle Heller directs literary-forging dramedy Can You Ever Forgive Me?; plus a whole bunch of documentaries directed by women…

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Johnny English Strikes Again movie review: the spy who was a complete doofus

Thu, Oct 11, 2018
17 comments

Better than the unfunny first one, not as witty as the clever second one. But it has a bit of sly Brexit bite that is very welcome right now. Laugh until you cry!

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movies by or about women opening UK/Ire from Mon Aug 27

Fri, Aug 31, 2018
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Melissa McCarthy investigates puppet murder; Joanna Kulig falls in love postwar Poland. And that’s it…

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The Happytime Murders movie review: schlock puppets

Tue, Aug 28, 2018
26 comments

Ugly, sordid, and proud of it, with less than no justification. “Meet the Feebles meets Who Framed Roger Rabbit” conveys a far greater sense of dignity, cohesion, and purpose than this witness movie deserves.

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