AWFJ 2022 EDA Awards winners announced
The Banshees of Inisherin, Everything Everywhere All at Once, and Women Talking tie for the most awards, at four apiece.
Pixar
weekend watchlist: two tales for Pride Month that cry out for simple human acceptance
Plus grounded human experiences, from escaping a cult to — yes — doing an espionage. (First published June 3rd, 2022, on Substack and Patreon.)
Oscar Nominated Animated Shorts 2021 (93rd Academy Awards) review
I don’t see how the astonishing “Opera,” by Erick Oh, doesn’t win the Oscar for Best Animated Short. This is a stupendous achievement, a cartoon clockwork depicting life, the universe, and everything.
Onward movie review: the Pixar road goes ever on
Don’t let the Pixar curve throw you: familiar this quest may be, but it’s full of magic and wonder and humor and melancholy, and set in a fully realized fantasy world. Not a masterpiece but very good.
Oscar Nominated Animated Shorts 2020 (92nd Academy Awards) review
My pick: I haven’t seen a short film this year that is as full of pure joy as “Hair Love.” I’d like to think that its sweet positivity will be the thing that, at this awful moment, gives it an edge.
Frozen II movie review: the thaw sets in
There’s magic here, and elemental spirits, but no magic and nothing elemental, metaphorically speaking. Rote and smaller than its predecessor. Even the songs are bland and forgettable.
movie-related flash-fiction freebie: “Disney Dystopia”
“Hey, so you wanna go to the disneys tonight?”
in 2010 I asked you: ‘What would you like to see in a Toy Story 4?’ (let’s revisit the replies)
What do you think about what we thought, almost a decade ago, might be a good way to expand the story, versus what we actually just got?
Toy Story 4 movie review: recycled playthings… again
The series’ saving grace is that, with humor and heart so beautifully wise and stunningly rendered (CGI pun intended), even as returns diminish, a new chapter is still warm and smartly entertaining.
curated: Emma Thompson’s powerful #MeToo letter to Skydance re John Lasseter’s “second chance”
The woman is a goddess and a badass.
