
loaded question: do you like scary movies?
For me, I don’t like most of the movies Hollywood considers scary — such as most of what is labeled “horror” — primarily because I simply don’t find that sort of thing scary.

For me, I don’t like most of the movies Hollywood considers scary — such as most of what is labeled “horror” — primarily because I simply don’t find that sort of thing scary.
I don’t often discuss, in my reviews, actors’ performances, because I’m often aiming to get at the larger cultural impact of movies, but I am fascinated by actors’ craft…

Monumental. Villeneuve tells a familiar story with uncommon elegance and pensiveness, even dreaminess, on a breathtaking scale. A stunningly gorgeous, supremely dignified movie about ugly things.

Prompted by the news that Mel Gibson will be starring in the John Wick TV spinoff The Continental, and the generally appalled reaction from fans. Who are your dealbreakers?

Absolutely hilarious Icelandic sendup of action buddy cop movies. Knowing, sneaky, and deliciously deadpan, upending toxic masculinity and elevating the usual subtext of the genre to the overt text.

I have a piece of horror flash fiction in this new anthology. The ebook and print-on-demand paperback versions will be on sale at the end of this month, and you can get in on a Kickstarter for hardback and faux-leatherbound editions available early next year.

John’s work might typically be called street photography, but he calls himself a visual sociologist. I call him “uncle,” and we’re working on a small project together, which we’ll share in the coming months…

I want to assure you, dear readers, that my pal Shirley and I, currently on a mini road trip through Wales, have no intentions of replicating Thelma and Louise’s misadventures.
Longtime readers will remember Nigel the Charity Pig, my sometimes traveling companion. He and I — and my human friend Shirley — are on a little road trip for a couple of days… COVID-safe, of course!

In the era of COVID and Brexit, much of this overstuffed adventure feels redundant, farcical, inconsequential, and desperate. But Ana de Armas and Lashana Lynch show us the way to a future for 007.