new this week in U.S., Canadian, and U.K. theaters: ‘Get Him to the Greek,’ ‘Splice,’ ‘Death at a Funeral,’ ‘The Brothers Bloom,’ more

U.S. AND CANADA/OPENING WIDE

Get Him to the Greek: Rock stars (ie, Russell Brand) are a mess, and the normal people who are their fans (ie, Jonah Hill) are only slightly less a mess. Such is the plight of humanity.

If you can’t make it to the multiplex, try:

• Forgetting Sarah Marshall (2008): Which introduced Russell Brand’s rock star Aldous Snow. Though you should fast-forward to his bits — which are few — and skip the rest.
• This Is Spinal Tap (1984): For the best, funniest movie ever about idiot, overprivileged rock stars.
• Almost Famous (2000): Because its naif peasant (Patrick Fugit) among rock royalty (Billy Crudup, et al) is a lot more sympathetic than Jonah Hill’s.
• My Favorite Year (1982): It’s not about rock music but about television, and how a young writer’s (Mark Linn-Baker) encounter with a famous star (Peter O’Toole) turns out to be both less and more than what he expected.

Splice: What if Dr. Frankenstein were a woman (Sarah Polley), and had mommy issues? Because women are all about the mommy-ness.

If you can’t make it to the multiplex, try:

• Frankenstein (1931): Might as well go straight to the classic that provided the inspiration.
• Cube (1997): For a more more original, far more terrifying SF horror flick from director Vincenzo Natali.
• Embryo (1976): Cheesy mad scientist Rock Hudson takes a fetus from clump-of-cells to rockin’-hot chick. Who is evil, of course.
• Species (1995): Need more smokin’-hot mutant chicks? This one is part extraterrestrial, and all evil.
Marmaduke: Look, the dog talks, and it has Owen Wilson’s voice and attitude. I like Owen Wilson, and I was still horrified. Also: Lee Pace as Marmaduke’s owner is criminally misused. [trailer] review to come

If you can’t make it to the multiplex, try:

• Marley & Me (2008): Because Owen Wilson gets to be a person, and Marley the dog gets to be a real dog.
• Beverly Hills Chihuahua (2008): If you absolutely must have a live-action talking-dog movie that’s suitable only for kindergartners.
• Pushing Daisies (2007-2009): Catch any episode of the sadly short-lived ABC series to see Lee Pace at his quirky, charming best.
• Old Yeller (1957): It was probably a mistake for Marmaduke to explictly reference this classic weepy, because it only reminds us that dog movies for kids used to be good.

Killers: Katherine Heigl is just a girl, and doesn’t want to touch Ashton Kutcher’s nasty hard gun. [trailer] review to come

If you can’t make it to the multiplex, try:

• Mr. & Mrs. Smith (2005): This is what the screwball romantic comedy/hired killer movie should be.
• Grosse Pointe Blank (1997): Or it could look like this. Extra hint: Ashton Kutcher is no John Cusack.
• Legally Blonde (2001): If Katherine Heigl wants to get away with being a dumb blonde, she should study this flick — coincidentally also from director Robert Luketic — and discover that it’s about not actually being dumb at all.
• Dude, Where’s My Car? (2000): For pretty much the only movie Ashton Kutcher and his dumb-brunet act have not been a detriment to.

U.S. AND CANADA/OPENING LIMITED

Ondine: Colin Farrell falls in love with a mermaid. Or does he? And is she even a mermaid? Neil Jordan needs to make up him mind… [trailer] review to come

U.K.

Death at a Funeral: No one can adequately explain why this movie — a Hollywood remake of a recent British film — exists.

If you can’t make it to the multiplex, try:

• Death at a Funeral (2007): One of the funniest, laugh-out-loudest movies I’ve ever seen, and quite a wisely witty one about grief and family.
• Nurse Betty (2000): For more farcical Neil LaBute, a wonderfully oddball flick about Renee Zellweger retreating into fantasy as a way of coping with horror.
• The Station Agent (2003): For more of the amazing Peter Dinklage — who appears as the same character in both Deaths — here as an angry, lonely man who doesn’t realize he’s not so angry and lonely anymore.
• Four Weddings and a Funeral (1994): A modern classic that explores life and love through the titular rites of passage.

She’s Out of My League: Dork gets hot chick… but there’s a really good reason for that, we swear.

If you can’t make it to the multiplex, try:

• The Girl Next Door (2004): In which dorky Emile Hirsch pursues his neighbor, Elisha Cuthbert, who happens to be a porn star.
• The Apartment (1960): For a dork-and-babe story with a classic sheen — Jack Lemmon’s nebbish falls for Shirley MacLaine’s cute ditz.
• American Pie (1999): Covering all your genital-based-humor needs.
• Shallow Hal (2001): If you think it’s hilarious that Jack Black doesn’t realize that his hot babe girlfriend (Gwyneth Paltrow) isn’t so “hot” after all.

The Brothers Bloom: Why has it taken this look for Rian Johnson’s con caper — one of the best movies of 2009 — to get to England?

The Killer Inside Me: Michael Winterbottom’s controversial adaptation of the novel about a serial murderer who gets off on making women suffer. Lovely.

Shrink: Kevin Spacey is the titular character, a Los Angeles psychiatrist with issues of his own (as you probably already suspected).