Locked Down movie review: criminally awful
Ejiofor and Hathaway are game, but they’re grasping for something solid, and don’t find it. A deeply unsatisfying novelty artifact of the pandemic that fails to create a necessary sense of transgression.
Mouthpiece movie review: women, arguing with ourselves
The internal monologue that modern women have with ourselves gets externalized in this audacious and absolutely brilliant dramedy. Poignant, vulnerable, and almost shocking, in the best possible way.
flash fiction coming your way soon…
99 Tiny Terrors and Cultural Artifacts: titles to tempt you…
Flick Filosopher: now with Patreon and Substack
In short: If you like my work and are in a position to help me continue to do it, please become a paying subscriber, if you are not one already, at either platform.
documentaries for understanding how we got President Trump, and for ensuring we never get him or his like again
A free first peek at zeitgeisty film roundups to come…
’Til Kingdom Come documentary review: the people trying to usher in the Biblical end times
A deep dive into US evangelical Christians teaming up with Israeli charities in an absolutely terrifying unholy alliance that has geopolitical implications that should worry everyone, believer or not.
I Blame Society movie review: jeopardizing her likability with no f*cks to give
A vicious, delicious Hollywood sendup, deconstructing — like a wrecking ball deconstructs — indie filmmaking, cinematic violence, and the industry’s treatment of women. Write what you know? Hoo boy.
Irresistible movie review: are money and politics irretrievably entwined?
This zingy satire is so perfectly, beautifully Jon Stewart: big and brash, raging with fury at the state of American politics but also underlain with hope that it might be changed for the better.
Cowboys movie review: a new kind of father-and-son tale
A complete upending of the western, about not wide open spaces but close-in intimacy, with an unusual female gaze and a hugely provocative dare to gender expectations. Both ironic and transformative.
Slalom movie review: the obstacle courses a girl runs
A fictional version of a story we know in the abstract, told with hushed reserve and brutal unsentimentality. An incisive, nontitillating female gaze on sexual abuse that never sensationalizes horror.
