AWFJ 2019 EDA Awards winners announced
And we have winners!
And we have winners!
And we have winners!

There is real cinematic tension in this own-worst-enemy tale of addiction and its ever escalating series of bad bets. But Adam Sandler’s unfettered arrogance renders it far from endearing or fun.

EMPs and nukular codes and cyber crap and submarines, oh my! “What does this have to do with us?” Michelle Rodriguez cries, and I’m like I know, right?

A wacky fantasy lark, half screwball comedy, half Looney Tunes. Chinese audiences have thrown half a billion dollars at it. Prepare for Hollywood imitators.

The just-right mix of wistfulness, snark, and painful personal growth makes this nonstop hilarious, with humor that gets women in a way movies rarely do.

The barrage of nonstop sitcom idiocy is nigh on unendurable. A father plotting against his daughter as touching and uplifting? Way worse.
Adam Sandler imagines himself as the savior of the planet. And then it gets even more puffed up with arrogance and all manner of masturbatory fantasy.

Writer, director, and star Chris Rock is so close to something great here, but he gives in too easily to the unchallenging and the very conventional.

Jason Reitman is way too young to have produced a work of such fuddy-duddy handwringing over These Kids (And Adults) Today and how we play with our e-toys.