daily stream: drop out, tune in (the degree program)
2006’s Accepted leaves US Netflix soon; on Prime and Apple TV in the UK.
Bill Murray
question of the weekend: have you ever attended a film festival? (and if not, would you like to?)
Do you have any particularly good — or bad — memories of the experience, perhaps of certain films you got to see that you wouldn’t otherwise have been able to, or of the overall vibe? Would you attend again, or have you?
OFCS 2020 awards winners announced
And the winners are…
AWFJ 2020 EDA Awards winners announced
And the winners are…
Isle of Dogs movie review: a breed apart, or a breed too far?
Absolutely delightful and utterly original, with its lovingly crafted stop-motion animation bursting with sweetness but also with a winking mockery. I have just a few caveats…
Miss Peregrine’s Home for Peculiar Children movie review: infodump, the movie
Relentlessly dull. A tour of a strange world and “characters” little more than their “peculiar” abilities isn’t enough to whip up fantastical excitement.
Ghostbusters movie review: boo yeah!
Kate McKinnon’s gleefully reckless physicist is brainy comic mayhem, unlike any female character we’ve seen before. And there are more reasons to cheer.
The Jungle Book movie review: welcome to the jungle
Goes right up to the bleeding edge of cinema to tell a story that is strapping yet simple, and hugely appealing. Disney found a good reason to redo an old film.
Aloha movie review: hello, and good-bye
A mess of a romantic dramedy full of colonialistic offensiveness, forced quirkiness, implausible emotion, and oblivious masculine self-centeredness.
Where Are the Women? Rock the Kasbah
From a mean ex to a hooker with a heart of gold, women exist in this world only for what they can do for — or to — the male protagonist.
