
loaded question: what’s the hardest or longest you’ve ever cried at a movie or TV show?
I have lots of answers I could give to this, so I’ll offer the most recent one: Station Eleven, the new postapocalyptic miniseries that is beyond wonderful…

I have lots of answers I could give to this, so I’ll offer the most recent one: Station Eleven, the new postapocalyptic miniseries that is beyond wonderful…
Emily VanDerWerff at Vox explores several possible reasons for this, including a deep dive into how digital cameras and, even more importantly, digital postproduction have impacted how movies look.

I’m very curious to hear what you all have to say about this, because the streaming environment has gotten a bit out of hand: there are so many services, and it would be absurd — and expensive! — to subscribe to all of them.

The performances are terrific, the evocation of the period striking, but it feels redundant, more GoodFellas-lite than The Sopranos, and with several TV seasons’ worth of story crammed in.

Pure joy. It is singing and dancing, life and love, food and family, heritage and community in all its complexity. Harnesses Golden Age Hollywood verve and style in breathtaking, enrapturing ways.

Two new documentaries — one a shrewdly incisive work of journalism, the other a delicately elegant tale of injustice and friendship — tell all-but-forgotten histories of Black America. Of America.

Ejiofor and Hathaway are game, but they’re grasping for something solid, and don’t find it. A deeply unsatisfying novelty artifact of the pandemic that fails to create a necessary sense of transgression.

I’m obsessed with this British miniseries following one family through a dystopian 2020s. It’s completely harrowing, very nearly soul-crushing. Yet I cling to its tenuous optimism and profound beauty.

A laugh-until-you-cry dramedy burlesque, brilliantly structured and horrifically compelling, about the endless grift that passes for an economy in America. Hugh Jackman is at the peak of his powers.

Not a spy thriller but a story of emotional and intellectual suspense wrangling with matters of patriotism and of conscience, and of just how far journalism’s watchdog role can and should take it.