OFCS 2020 awards winners announced
And the winners are…
And the winners are…

The story of the women duped into *checks notes* killing Kim Jong-un’s brother is more bonkers — and sad, and gripping — than we’ve heard. Utterly fascinating; the stuff of a Hollywood thriller.

Sarah Pirozek weaves an elegant, noirish tragedy on a micro budget, but it’s far more effective as a portrait of the miserable discomposure of modern teen life than as a feminist vigilante thriller.
Unlike in recent years, I’m not restricting the 2021 ranking to patrons only: everyone can see it.

Nonsensical Danish thriller concocts absurd connections between the nature of evil and *checks notes* office politics among shallow clichés of women. Preposterously, this is not meant to be satire.

Beautiful in its style, enraging in its substance, this skewering of the FBI’s surveillance of the civil-rights icon is essential for understanding the near-term roots of white supremacy in America.

The retro pastel optimism is ironic, but the dark stuff slips by in subtext. This bold, colorful tale, recalling classic superhero films, could be happening in a parallel universe… a much nicer one.
I personally have found it very difficult to focus on anything creative in the past four years (and it only got worse in 2020). And I wasn’t alone…
And the winners are…